Initially, all they shared was their passion for their music, together with a certain curiosity at having been recruited into the quartet. But when they sang together, something exceptional happened. Their crossover of the classical and the popular, the multiple languages, the crescendo the operatic brings to much-loved hits and their refusal to be intimidated by the preconceptions of what was high-brow and what was commercial – all stirred a longing in audiences. Around the world, a record buying public – who had long been dismissed as not quite discerning enough for opera, yet who had embraced the Three Tenors and Andrea Bocelli – welcomed the depths and textures and the thrilling sensuality the four very different voices of Il Divo created together.
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